今井さつきの経歴等を記載しています。 Satsuki's biography CV photo: Tatsuhiko Nakagawa Satsuki Imai Satsuki Imai creates participatory and communication-based artworks that explore PLAY GROUND, co-creation, and reciprocity, developing spaces in which viewers and artist collaboratively shape the work. Her artistic practice is deeply influenced by her background in video games. Having grown up immersed in games, she came to believe that play fosters personal growth and builds connections between people. She initially aspired to become a game designer, but during her studies in a specialized program, she encountered contemporary art. She found strong affinities between games and art—both offer opportunities to think, experience, and exist slightly apart from everyday roles. This discovery sparked her interest in creating such experiences within public spaces. Drawing on foundational concepts from game design—the viewer as protagonist, the possibility of altering the future through participation, and play as a medium connecting people—Imai developed a practice in which the audience becomes an active agent within each work. Her installation Raybox transforms visitors’ personal belongings into kaleidoscopes, enabling them to generate unique visions rooted in their own lives. In Hajimari no Daichi, flowers made by participants gradually alter the rocky, cave-like landscape of the installation, suggesting the potential for collective action to reshape a shared environment. In Human Norimaki, participants become the “ingredients” of a giant sushi roll, collaboratively constructing the norimaki with the artist while experiencing a new form of embodied creativity. Across these works, Imai invites viewers to become protagonists who co-create the artwork through a process akin to play. Her installations function as playgrounds, places where she connects with others through the medium of art and welcomes them into a space of shared creation. Embedded within her practice is a simple and sincere message to participants: a desire for friendship and connection. Biography 2022 Completed Doctoral Program, Graduate School of Fine Arts, Tokyo University of the Arts (PhD, Fine Arts) 2017 Completed Master’s Program, Graduate School of Fine Arts, Department of Intermedia Art, Tokyo University of the Arts 2013 Completed Master’s Program, Graduate School of Fine Arts, Department of Design, Aichi University of the Arts 2011 BA, Department of Animation (Game Course), Tokyo Polytechnic University Exhibition history 2025 Biennale Jatim XI (Pudak Gallery Gresik / Gresik, Indonesia) 2024 hacchi Artist-in-Residence Activity Archive Exhibition (Hachinohe Portal Museum hacchi / Aomori) 2024 Hajimari Art Center 10th Anniversary Exhibition “Ki・Ten・Ki・Ten” — Summer Season (Hajimari-no-Museum / Fukushima) 2023 Former Kamino elementary school Residence Program Exhibition (Former Kamino Elementary School / Fukuoka) 2022 IN : ACT Bến Ngọc Thụy by Nhà Sàn Collective (WH22 Nha San Queer House / Kassel, Germany) Just Rolllllll (Museum Fridericianum, Gudkitchen Backyard / Kassel, Germany) Let’s Get Rolled in Human Sushi! — Asahikawa “Makasa-ru-kai” (Heiwa-dori Kaimono Park / Hokkaido) 2021 Tokyo University of the Arts Doctoral Thesis Exhibition (The University Art Museum / Tokyo) 2020 INSIDE DIVERSITY (Ueno Station Break Gallery / Tokyo) Making is Praying (OIL by Bijutsu Techo / Tokyo) The Struggle for Tomorrow (3331 ART FAIR / Tokyo) 2019 Precious Situation (Digital Hollywood University / Tokyo) 2018 ATLAS Exhibition (The University Art Museum, Tokyo University of the Arts / Ibaraki) TURN Festival 4 (Tokyo Metropolitan Art Museum / Tokyo) Kodomo Collabo Lab (Art Tower Mito / Ibaraki) Muimi no Youna mono (Hajimari-no-Museum / Fukushima) 2017 TURN Festival 3 (Tokyo Metropolitan Art Museum / Tokyo) FELT STÄRKE — East Asian Capital of Culture 2017 Public Presentation (Kyoto Art Center / Kyoto) TURN Festival 2 (Tokyo Metropolitan Art Museum / Tokyo) Graduation & Completion Exhibition, Tokyo University of the Arts (Tokyo Metropolitan Art Museum / Geidai Campus) 2015 TURN Festival (Tokyo Metropolitan Art Museum / Tokyo) Solo Exhibition Irasshaimase—Welcome (gallery bonun / Seoul) Me and Nature — Tokyo University of the Arts × École des Beaux-Arts International Collaborative Project (Echigo-Tsumari Art Triennale / Niigata) 2014 Human Sushi Guerrilla Performance (Centre Pompidou forecourt / Paris) 2013 Aichi University of the Arts Graduation & Completion Exhibition (Aichi Prefectural Arts Center / Aichi) TETSUSON 2013 (BankART Studio NYK / Kanagawa) Artist-in-Residence 2024 Hacchi AIR (Hachinohe / Aomori) 2022 Former Kamijo Artist-in-Residence (Miyama / Fukuoka) Artist-in-Residence Asahikawa (Asahikawa / Hokkaido) Grants 2022 Ogasawara Toshiaki Memorial Foundation — Travel & Research Grant (First Term)

今井の新作である『ひと包み』の特別ページです。 HUMAN FUROSHIKI "Human Furoshiki" is a participatory work in which the author, Imai, and the participating viewers work together to create an important gift, "Human Furoshiki" wrapped in a single furoshiki. It is the participating viewers who are wrapped in the furoshiki. Imai, the author, will wrap you in your favorite pose. When we are born, we are carefully wrapped in cloth, and when we die, we are carefully wrapped in cloth. What kind of experience is it to be wrapped up in the meantime, and even to be wrapped up in others? While talking and communicating with the viewers, who are important gifts that the author can meet through the work, we will change the object of "furoshiki" into a work of "Hitotsutsumi-ひと包み-" together. It is a work that tries to do that. Tokyo University of the Arts Graduate School of Fine Arts Doctoral Examination Exhibition 2021 December 10th (Fri) -19th (Sun), 2021 Tokyo University of the Arts University Museum Load More

今井さつきの作品紹介をしています。 This page present art works of Satsuki IMAI. WORKS WORKS WORKS WORKS WORKS WORKS WORKS WORKS WORKS

人間ノリ巻きの作品説明です。 about Human sushi in Asahikawa Beginning your ground Production year: 2017- Format: Installation Size: φ4000 × H2500 (mm) Material: Wood, Styrofoam, Artificial turf, Flower paper This work, originally created in 2017, was recreated for the summer season of “Ki・Ten・Ki・Ten”, the 10th Anniversary Exhibition of the Museum of Beginnings held in Inawashiro, Fukushima, in 2024. When speaking with local residents, the artist learned that the iconic Mount Bandai—commonly known as a series of three connected peaks—was once said to have had a “fourth mountain.” This earlier form disappeared due to a major eruption that occurred exactly one hundred years before the artist, Imai, was born. Captivated by this coincidence and the mountain’s layered histories, she imagined and reconstructed the “fourth Mount Bandai.” Since no photographic records from that era exist, the recreated mountain was inspired by paintings and local stories. While it pays homage to the lost landscape, the “fourth Mount Bandai” also emerges as a new mountain—one blossomed into existence by the hands of people living today. Inside the work, participants enter a cave-like interior where they are free to create flowers using just tissue paper, tape, and bamboo skewers. There are no rules or prescribed methods: some remember how they made paper flowers as children, while others invent entirely new approaches. As participants work with their hands, conversations naturally begin—about Inawashiro, Mount Bandai, Lake Inawashiro, or people to whom they wish to give their flowers. Though their eyes stay focused on their hands, they soon find themselves engaged in lively exchanges. In this way, flowers of every shape, color, and size come to life—no two ever the same. The completed flowers are planted by participants either inside the cave or on the outer surface of the mountain. Those who wished to give their flower to someone special were invited to take it home. After making a flower, participants climb a ladder inside the cave to “summit” Mount Bandai at an elevation of 2,125 meters. From the summit, they enjoy the view and the flowers left by others nearby. Upon exiting the cave, they receive a commemorative pennant for reaching the peak. Over the long exhibition period from July to October, many visitors created flowers—a total of 1,366 blossoms were born. Cooperation: Asagi Yoshida, Chie Orihara, Takehiro Ishii, Ikuya Hirota, Rina Uchida, Reina Isono, the staff of Hajimari Art Center, and members of the local community

はじまりのだいちについての作品説明です。 about The beginning from ground Beginning your ground Production year: 2017- Format: Installation Size: φ4000 × H2500 (mm) Material: Wood, Styrofoam, Artificial turf, Flower paper This participatory installation is designed as a mountain on the outside and a cave on the inside. Visitors enter the work and create flowers while sharing memories or stories about important people in their lives with the artist or with others present. Inside the space, participants layer thin hanagami (flower paper) sheets to create their own unique flowers. There are no specific rules for how the flowers should be made; each visitor relies on their own memories and imagination to shape their creation. The artist remains present in the space, making flowers together with visitors and listening to their stories. Completed flowers are placed inside the cave or inserted into the mountain outside. When participants feel ready to “leave the cave,” they climb a ladder, breathe in the outside air, and step out of the space. The installation gradually transforms as more flowers are added through visitors’ participation. The work was created from the idea that the landscape—both literal and metaphorical—can be changed through the small actions of individuals. Approximately 200 people participated in this work, creating flowers while sharing memories of making flowers in their childhood or stories of people to whom they wished to give a flower. Because there were no rules for how the flowers should be made, some participants created their works freely, responding to the materials with their hands and following their own curiosity. Care was taken not to set a clear goal or time limit, allowing each person to spend as much time as they wished until their flower felt complete. The space was intended to offer the comfort and safety of a park-like environment, while providing a gentle theme—“making a flower”—through which participants could think and reflect as they worked with their hands. As time was shared with the visitors, it became clear that the feelings they expressed—making a flower while thinking of someone, or wishing to give it to someone dear—were themselves a form of art. Exhibition History Feb 26 – Mar 3, 2017 The 65th Graduation and Completion Works Exhibition Tokyo Metropolitan Art Museum / The University Art Museum, Tokyo University of the Arts / Geidai Campus, Tokyo October 2019 Precious Situation NEWTOWN / Digital Hollywood University, Tokyo

今井さつきの作品紹介をしています。 This page present art works of Satsuki IMAI. 人間ノリ巻き Human Sushi 人間ノリ巻き（旭川） Human Sushi(Asahikawa) 人間ノリ巻き in Kassel Human Sushi in Kassel 人間ノリ巻き（みやま） Human Sushi (Miyama) WORKS 人間ノリ巻き Human Sushi 人間ノリ巻き（旭川） Human Sushi(Asahikawa) 人間ノリ巻き in Kassel Human Sushi in Kassel 人間ノリ巻き（みやま） Human Sushi (Miyama) 人間ノリ巻き（秩父） Human Sushi(Chichibu) はじまりのだいち(磐梯山） Hajimari no Daichi(Mt.Bandai) 作ることは祈ること Making is Prayng Raybox はじまりのだいち Hajimari no Daichi ひと包み Hitotsutsumi 人間菊巻き Human Kikumaki Atarashii Historia WORKS

人間ノリ巻きの作品説明です。 about Human sushi in Asahikawa Human Sushi in Kassel Production year: 2013- Format: Installation Size: Sushi (including ingredients) ... W2000 x H100 x D1800 Sushi clogs ... W3000 × H450 × D2000 (mm) Material: mixed media The work Human Sushi was presented during a half-month stay at the “Former Kamijo Elementary School Residence,” an artist-in-residence program held at the former Kamijo Elementary School building in Miyama City, Fukuoka Prefecture. Organizer: Kyushu Geibunkan Art Exhibition Executive Committee (Fukuoka Prefecture Cultural Promotion Division) Human Sushi Experience (12/16–12/24)

メディアなどの記事を掲載しています。 Media MEDIA MEDIA I was interviewed by Tobira, who is an art communicator at the Tokyo Metropolitan Art Museum, when he completed graduate school work at the Tokyo University of the Arts.

NEWSは今井さつきの最新情報(展覧会、イベント等)を掲載しています。 The latest information NEWS 2025 Exhibiting at “Civic Hall Open! DAY♪ Exhibition Date: Saturday, December 20, 2025 Time: 11:00–16:00 Venue: Hall Foresta Stage, Keyaki Forum, Meeting Rooms, Entrance Area Admission: Free More details here 2025 Exhibiting at Biennale JatimⅪ Exhibition Date: Sunday, August 24 – Saturday, September 20, 2025 Time: 10:00–21:00 Venue: Pudak Gallery Gresik Admission: Free More details here ※Click the visual on the left to access the artwork page within the website. 2025 2024 Hacchi Artist-in-Residence Activity Archive Exhibition Exhibition Date: Saturday, January 25 – Tuesday, February 11, 2025 Time: 9:00–21:00 Venue: Hachinohe Portal Museum hacchi, 3F “Wa no Studio” Admission: Free More details here ※Click the visual on the left to access the artwork page within the website. 2024 Exhibiting at Hajimari Art Center 10th Anniversary Exhibition “Ki・Ten・Ki・Ten” — Summer Season Exhibition Date: Saturday, August 3 – Sunday, October 20, 2024 Time: 10:00–18:00 Venue: Hajimari-no-Museum Admission: General: 500 yen Ages 65+: 250 yen High school students and under: Free Visitors with a disability certificate and one accompanying person: Free More details here ※Click the visual on the left to access the artwork page within the website. 2023 Participating in the Former Kamino Elementary School Residence Exhibition Performance Date: Saturday, December 16 – Sunday, December 24, 2023 Time: 13:00–17:00 Venue: Former Kamijo Elementary School Admission: Free More details here ※Click the visual on the left to access the artwork page within the website. 2023 A doctoral thesis has been released on the website. Exhibition detail：Click here 2022 IN : ACT BẾN NGỌC THỤỴ BY NHÀ SÀN COLLECTIVE Performance Date：1. September 2022 Time：16:00-20:00 Location：WH22 Nha San Queer House Admission：free detail：Click here 2022 Just Rolllllll Performance Date：13. August 2022 Time：16:00-20:00 Location：Fridericianum Gudkitchen (Backyard) Admission：free detail：Click here 2021 Doctorate degree Exhibition Exhibition Date：10. December 2021 Time：10:00-17:00 Location：Tokyo University of the Arts museum Admission：free detail：Click here 2021 BankART AIR 2021 WINTER OPEN STUDIO Exhibition Date： 5-7,12-14.February 2021 Time：11: 00-19: 00 Place： BankART Station & R16studio Admission: Free detail： Click here 2020 INSIDE DIVERSITY Inner diversity Exhibition Schedule:26.Dec 2020,-4.February Time：7: 00-23: 00 Location：JR Ueno Station Main Exit "Galleria" 2F Break Station Gallery Admission：Free 2020 To make is to pray workshop Exhibition Date： 4.July 2020 Time：11: 00-21: 00 Location：Shibuya PARCO OIL by Art Notebook Store Participation fee：One drink order

今井さつきの作品紹介をしています。 This page present art works of Satsuki IMAI. どんな風に生きていたのか how did I survive in documenta fifteen? 美術館に暮らす living in Fridericianum museum 色を通して交流すること make friends with food イベントに参加する joining friends's event WORKS はじまりのだいち Hajimari no Daichi ひと包み Hitotsutsumi 人間菊巻き Human Kikumaki Atarashii Historia

Rayboxの作品説明です。 The information of "Raybox" Human Kikumaki (Chrysanthemum Roll) Year of Production: 2025 Format: Participatory Artwork Size: Kikumaki (including fillings): W2000 × H100 × D1800 mm Materials: Fabric, cotton A viewer-participation-type work where you can see the kaleidoscope when you put your belongings inside the work and look into it. Viewers put their watches, glasses, and other belongings in black, white, and transparent-looking box drawers. And when I look through the upper peephole, the belongings in the drawer are transformed into a kaleidoscope. Not all belongings are unique, but the combination of belongings is a part of each viewer, and we try to use it to create a figure that only that person can make. By arranging the inside of the drawer and turning the handle attached to the work, a figure that can only be seen in that moment and that is constantly changing appears every moment. Its beauty seems to praise the viewer themselves. This work was made when the writer was still studying at university with the aim of becoming a game creator. He came across contemporary art when he began to question the commercial games he produced over the years. However, because I didn't understand contemporary art well at that time, I didn't have much to touch, unlike toys and games, and I felt like someone else's affairs. If I make a work, I thought it would be good if I could think of it as my own. This work gave birth to the future writer's life. ・ January 2013 ... " etteda7th-etteda Korea-Japan Creators Joint Exhibition 2012- " (TEMPORARY CONTEMPORARY / Tokyo)

人間ノリ巻きの作品説明です。 about Human sushi in Asahikawa Human Sushi in Kassel Production year: 2013- Format: Installation Size: Sushi (including ingredients) ... W2000 x H100 x D1800 Sushi clogs ... W3000 × H450 × D2000 (mm) Material: mixed media The work Human Sushi was presented during a half-month stay at the “Former Kamijo Elementary School Residence,” an artist-in-residence program held at the former Kamijo Elementary School building in Miyama City, Fukuoka Prefecture. Organizer: Kyushu Geibunkan Art Exhibition Executive Committee (Fukuoka Prefecture Cultural Promotion Division) Human Sushi Experience (12/16–12/24) For approximately one week, a Sushi-shop-style setup was installed, and visiting residents were “rolled” into a Human Sushi each time they came.